A year has passed and Christmas is accompanied by another expensive 3D movie in theaters. After last year's Tron's Avatar: Legacy. It will be equally successful? Similarly, a turning point? Similarly, profitable? It remains to be seen but a few lines, I will try to summarize his impressions of the theater. From the beginning I must say that I continue Trona in 1982 anticipated the concerns, but also with great expectations. I like the futuristic design, original worlds and video game industry. Knowledge previous film is not due to a smaller vsuvkám makers need too, but it certainly enhances the feeling of the film from some locations that "you know". The actual story begins with Sam Flynn (Garrett Hedlund), who is the son of a famous maker of computer games, the head of Enco and the main characters from the first film Kevin Flynn (Jeff Bridgess). Most had to live my life without my father, who one day left, despite his promise to return. Sam soon finds the computer on which his father worked and gets into the computer world of lights, shiny surfaces and the gladiatorial games of light motorcycles and discs. The rest of the film, Sam inroads computer world for his father to work together to find a way out and discovered what Kevin wanted to change the world.
Tron Legacy builds on its predecessor, the old and in all respects, and more. The first part reflects the possibility of a world inside the computer that is not for today's audience is too colorful, the plot is slow and social the distribution of elements (programs, users) rather unnecessary. Legacy gives a greater emphasis on audio-visual page, which is not only modern, but in essence, the viewer required. This leads to the exceptional concentration impressive music (the movie edited to the music and not vice versa, as is tradition) and the images are not afraid klipovosti and magnificence. Music was in charge of the French electronic music duo of geniuses, Daft Punk. Recording lasted two years and the resulting soundtrack is a combination of classical music with electronics in a while very euphoric music, which, combined with the incredible power of the image. Deafening and immersive experience. The important thing is of course the design of the computer world, which reflects the direction of modern technology such as design, computer and its peripherals (printers should be glossy black Samsung rag:)). About deisgnu the film even came across the sea book The Art of Tron: Legacy and here you are some examples it. Using familiar elements of classical automata games is absolutely brilliant. Unfortunately, during majority of viewers watching it runs ... The film also adds another dimension to the original Tron, which reflected the then view of computers and their capabilities and Legacy brings another perspective, 28 years later, in the bowels of modern computers. And not just in computers and in computer games in general, which last year directed at the perfection of their own graphic pages. Thanks to all mentioned in the computer world Trono beautiful to look at, but sterile and non- inside. But this makes sense because the computer is a machine, it's creation, which does not work in the sense of self-sufficiency (many still remember the Pandora's fascination with the world, where everything was alive, varied and colorful), but is dependent on the creator / user. 
pursuit of perfection is also one of the ideas the film, which further adds to be a father-son relationship, the responsibility of the creator to his creation (Kevin-Clu), trends in the gaming industry. There's plenty of motives, but most are rather naťuknuta because main action is unnecessary and not philosophizing, which I sometimes do not realize the characters (purposely written with the hyperbole). Someone will be disappointed by the occasional woman or talking about beings iso. This could certainly be treated much better, but what I can do. The key, fun event, it is perfectly mastered and is not only visually compelling, but mostly clear. There are little tricks, such as a change of perspective, rotation, but never at the expense of clarity, which I enjoy very much. Its also delivers 3D, which is not superficial at all, quite the contrary. Avatar was the first Resident Evil, Afterlife, and more Tron: Legacy continues the course initiated in full 3D movie filming. The film is still funny filmed partly in 2D (the world of people), where the headlines only 3D (yes, subtitles, the dubbing is, fortunately, the Bridgesův voice ... I never want to come!) And the world of computers then it is fully 3D. Whatever action the motorcycle, throwing the discus, visit the digital arena (like a Chamber of the new Star Wars and he reminds spectacular stadiums for U.S. soccer or football classic:)) operates dynamically and effectively. 
The cast is pleasant, Jeff Bridgess again all the plays and help him to his roles (particularly in the second half) and indisputable "voice" of charisma. Alterego facelifted in the digital twin of CLU's name to me and obviously deliberately sterile digital for widening one-copy-program. Sam Flynn designs Hedlund bothered me, but maybe because I've watched every little thing in the background (and thirteen ;-)) much more than his. Now Olivia Wilde, known as Thirteen (thirteen) of the House is a little icing on the entire cast. The great strength of Trona is also the continuous gradation, which is gradual, stepped up in the action scenes, then disappear for a while, but returned in greater strength. The end is really strong, impressive on the screen and the viewer wants it yet again, like the entire movie. Just a feeling I have is ME just after the movie. It's strange because avatar got me quickly, but on the other I thought seeing a couple of days and then it disappeared, Tron remains in me and also thanks to the music that I really liked and recommend it to everyone. From Tron: Legacy is foolish to wait for Oscar-winning drama or philosophical contemplation on the issues of life, death and all. This is mostly about fun, effective, fast, powerful, that you must catch it and not to release. And it handles great. recommend to enlarge the screen and drop the crate to the max:)
sequel, which has respect for his predecessors and simultaneously developing its own, modern and impressive audio-visual, way into the hearts of audiences.
PS: personally I do not understand why the Czech Republic in this film no one ever goes, being in a cinema in four happened to me a long time:)
Rating: 90%
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